There are a couple of different reasons for this. One of his best picks was a play by Pierre de Beaumarchais called The Marriage of Figaro, a hilarious (and very controversial) send-up of contemporary society and politics. The tale of Don Juan, the sleaziest sex maniac of them all. The role of Sesto (Sextus) was originally written by Mozart for a tenor before he found out it had been assigned to a mezzo castrato. His music is the essence of the Classical style: elegant, graceful, refined, high-spirited, and unsentimental, but with a deep vein of emotion. In general, the list follows the sequence in which the operas were written. [2] In a letter to his father, dated 7 February 1778, Mozart wrote, "As you know, I can more or less adopt or imitate any kind and style of composition". Works combining spoken words and sung text in local languages—German, French, and English—were fairly common, and these more-accessible works … Considering how influential he was and how much music he produced — more than 600 individual pieces — it's shocking to learn that Wolfgang Amadeus Mozart lived to be just 35 years old. Furthermore, Mozart had a knack for picking the right plays to turn into operas. It remains a favorite even today. The music he produced is so beautiful and iconic that even people who would rather be tortured than listen to classical music are familiar with many of his works. But Leopold Mozart, Wolfie’s father, had other ideas. sacred masonic rituals. In this opera more than any other, Mozart tells a story honestly and directly. What was the Magic Flute based on? Austrian musician Wolfgang Amadeus Mozart (1756-1791) was among the most prolific, versatile, and popular composers of all time. Die Zauberflöte and La clemenza di Tito were written concurrently. Mozart’s father did not approve of the marriage. Belmont und Constanze, oder Die Entführung aus dem Serail, La folle journée, ou le Mariage de Figaro, "Musing on Mozart and Studying with Boulanger", https://en.wikipedia.org/w/index.php?title=List_of_operas_by_Wolfgang_Amadeus_Mozart&oldid=995919746, Lists of compositions by Wolfgang Amadeus Mozart, Creative Commons Attribution-ShareAlike License, 2 treble, 2 boy alto, 1 tenor, 2 bass, chorus, Archbishop's Palace, Salzburg, 1 May 1769, Teatro Regio Ducale, Milan, 17 October 1771, Archbishop's Palace, Salzburg, probably 1 May 1772, Teatro Regio Ducale, Milan, 26 December 1772, Archbishop's Palace, Salzburg, 23 April 1775, Choruses and entr'actes for a heroic drama, Chorus and soloists: soprano, alto, tenor, bass, 1 soprano, 2 tenor, 2 bass, ensemble (mini-chorus) of 4 tenors, 1 speaking role, 3 soprano, 1 mezzo-soprano, 4 tenor, 1 baritone, 2 bass, chorus, 2 soprano, 2 tenor, 1 bass, 2 speaking roles, Dramma giocoso (incomplete) in three acts, (Provisional) 4 soprano, 2 tenor, 2 bass, chorus. When Mozart is at the opera with his wife and child was it Opera Seria or Opera Comique? While Mozart excelled at composing Italian opera, both comic and serious, he also periodically dabbled in the German-language genre of the Singspiel, in which spoken dialog is interspersed with set musical numbers (much like a Broadway show). His family name is often misspelled as “Boulogne”. In that same year, 1782, Mozart wrote another very successful opera: Die Entführung aus dem Serail ("The Abduction from the Seraglio"). His early Italian operas and pieces for the German-speaking theatre rarely challenge existing conventions, but they set the ground for the mould-breaking works of his later years. His last symphony—the Jupiter Symphony—is perhaps his most famous. Teaching Company favorite Professor Robert Greenberg examines Mozart's life, influences, and major operas. 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