Thus all of these characters undergo a process of initiation, of understanding the great implications of such a misfortune, until they decide to work together for their mutual benefit. The plague does not abate during the cold spells, and is more and more in the pneumonic form. After a long inoculation process, Rieux, Paneloux, Tarrou, Grand, and Dr. Castel gather to observe the effects. He adds, though, that he knows he and Paneloux are working for the same thing and they are united beyond blasphemy and prayers. One day Tarrou’s father invited him to hear him speak in court. Nevertheless, it is she who discovers one morning that he has not arisen and seems more flushed and weaker than ever. The novel presents a snapshot of life in Oran as seen through the author's distinctive absurdist point of view. Paneloux is killed by an aporia.”. Paneloux sits with him and agrees that they are both working for salvation. The flagellants believed that selfpunishment for their sins might help save them from death as a result of the Plague. Tarrou writes of a time he and Cottard see a performance of Orpheus and Eurydice put on by a traveling company stuck in the town. He finds Tarrou in his office, who tells Rambert he is reluctant to let him in because he is trying to spare Rieux as much as possible. by Albert Camus. 9782806270160 29 EBook Plurilingua Publishing This practical and insightful reading guide offers a complete summary and analysis of The Plague by Albert Camus. When he is done speaking, the doctor asks if Tarrou has an idea of the path for getting peace. In the interim between sermons the people have become less religious and more superstitious. In the first paragraph of the book, the ordinariness of Oran is contrasted with the extraordinary business of the plague, and on the surface the comment seems possibly only a bit of literary formula. From that day on he could not look at the railway directory. This is more contagious and more fatal. At the hospital Paneloux submits weakly to observation but still seems undiagnosable. It is clear thoughts of Jeanne are consuming him. "The Plague" is one of his biggest affirmations of his desire for social solidarity. Rieux sighs that he does not know what is right, and he should do his bit for happiness. Rieux examines him and says he does not have any of the specific symptoms of the disease but he cannot be sure so he should be isolated. Rieux also stands and says he is sorry again. The Plague is considered an existentialist classic, despite Camus' objection to the label. La Peste, the original French title of the novel, translates to The Plague in the American edition. The closed space of the town haunted by plague and isolated from the rest of the world is the setting in which the writer presents some destinies, which exemplify the diversity in unity and the relation between the individual and the community. These papers were written primarily by students and provide critical analysis of The Plague. When he was young he lived with a sense of his innocence and fortuitousness. Continuing, he speaks of the story of how only four of more than eighty monks at one monastery during the Black Death survived, and three fled. A young deacon tells him the Father is working on an even more radical pamphlet—that it is illogical for a priest to call a doctor. Albert Camus is a famous and complex personality of French culture. The people of the town, especially Rieux’s friends and associates, are more prone than ever to “slackness and supineness” (194) and have no interest in making any move that is not entirely necessary. He felt sick. He “took a horrified interest in legal proceedings, death sentences, executions” (248) and could not help knowing what his father’s role in such things—such murders—was. Othon asks Rieux to save his son, and agrees to the accommodations proposed—a room for Madame Othon and the little girl, and an isolation camp at the municipal station for Othon. His father let him have his way. Rambert chooses to stay in Oran even though he can get out, realizing he needs to choose a love for the collective rather than a personal love. Rambert decides to go out, and visits Rieux at the hospital. Paneloux muses bitterly that this means his suffering is worse. The Plague, is a novel by Albert Camus, published in 1947, that tells the story of a plague sweeping the French Algerian city of Oran.It asks a number of questions relating to the nature of destiny, and the human condition. Analysis. The title refers to a terrible plague that strikes Oran, Algeria. They meet with the tired man, who asks if his son suffered. He is rather aloof from Rieux and Rambert but seeks Tarrou out. Tarrou concludes. He sees things as they are–“hideous, witless justice” (193). There are other camps, the narrator says, but he does not know any specifics about them. He is a representative of silent and discrete suffering and unconditional commitment to the fight he willingly joins. While many attempt to flee the city, Dr. Bernard Rieux sends his sick wife away and does his best to care for the plague's victims. The narrative tone is similar to Kafka's, especially in The Trial, whose individual sentences potentially have multiple meanings, the material often pointedly resonating as stark allegory of phenomenal consciousness, and the human condition. In the 1990s, a South American city is rocked by the imminent outbreak of a plague. He then dies, and is marked as “Doubtful case.”. There is no cheer, no celebrating. 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